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Between Naples and Hollywood: Rediscovering the Lost Systems of Composition
1. The Problem of Time In film, time is literal. Not an abstraction, not a metaphor, but measured seconds and frames. Cue 1 of Despiértame ran from 01:00:23:01 to 01:01:56:11: exactly 93.4 seconds. The music had to last the same. At a chosen tempo of 120 BPM, each beat lasts half a second. Multiply it…
